Last night I found out that each time you saved your document while working in Krita, the original date/time stamp for the file you’re working on will be override. Other softwares keep the original stamp. This is good if you’re the kind of person that likes to keep track of your progress and like to go back in time to discuss certain things. I cropped a few files to clear the empty space and the original stamp got replaced with the new stamp. My only way around this at the moment is to rename the bottom layer of a new document and input the date/time into its layer title.
These were constructive practices with the Wet_Paint_Details brush at its default brush size.
It is difficult to pinpoint what it is exactly that makes our spirits respond in a raw and instinctive way to the arts. Perhaps it is because engaging the arts reminds us that we are made in the image of a divine artist, a God who colored the sky and the flowers; who delights in trees that are pleasing to the eye; who specifically requested “Bezalel … to devise artistic designs” in Exodus 35; who requested that the tabernacle curtains be made of “fine twined linen and blue and purple and scarlet yarns, with cherubim skillfully worked” (Exodus 36:8); not to mention the breathtakingly beautiful detailed tailoring of the priestly vestments in Exodus 39.
The arts not only remind us that we are made in the image of a creator but they invite us to ponder the age-old theological and philosophical understanding that beauty, goodness and truth are inextricably linked with the things of the spirit and the nature of God.
Krita has a great little feature that allows you to expand the size of your document that you’re currently working on. What this means is that you don’t have to worry about coming up with a document size. You can just start with any and get right into practicing your forms (or whatever you’re doing on the canvas). Once you reach the end of your document, by moving it (up | down | left | right), the expand will appear for you to click on
I’m using a tablet that does not have tilt support, with a brush that was made for tilted tablet (I’m assuming because the setting for this brush has tilt settings). I can’t imagine what it would be like, and I’ll have to get a better tablet to find out later in the future. In the meantime, this is what I use to practice gesture drawing. Default setting, but I set the brush size to 260.
I’m about to head off to bed, but before I go I decided to fire up Krita and do a quick scribbling. Had no idea where I was going with it. I grabbed the “Wet Paint” brush and played around, and to my surprise, this is something you can achieve in less than 15 minutes!
I’m not into painting at the moment. That’s something I’ll explore later on. For now, I’m exploring LINES, gestures, poses, etc…
EDIT: Another quick test early next morning. Trying out the blending brush (“Wet” Circle, Paint, Paint Details)
There are a lot of things the mind processes and goes through when doing observational drawing. I find that my mind switches modes of thinking here and there throughout the whole drawing process. Take for example, in the second example, I didn’t have much difficulty just going with the contour, but I couldn’t do that same thing with the third example. In the third example, I focused on having the thigh right and then worked out from there. In the last example, i used the line of action to guide me through the whole process.
Blocking in (or Block-in) is the first phrase of drawing. There are many ways to go about it, and it’s even possible to switch between two or more strategies. There are Gestures, Angles, Envelope, Shapes/Forms (and a few more). This is a very important topic that I’ll surely talk more about in the future.
Entirely done with the Marker_Details brush as another experiment. Increased the brush’s size here and there.
I was trying out something new earlier just now. As of this writing, I haven’t studied or know much about lightning/shadow. Painting is something I’ll explore later on, but in the meantime I’m exploring lines (drawing). This piece was an experiment (around 30 minutes) without any aim. Just relaxing (not thinking much) and random scribbling, to see what I can make out of it, and I had no idea that it would end up this way. In so doing, I realize that this can become a style/look.
I find fractal confusing. For now it’s a trial and error thing for me, and slowly I’m getting a hang of it. Used the free version of Chaotica to generate the background image, and Affinity Designer to put the text on it.